Russian-born Natasha Novitskaia‘s most recent success was in the annual Sergio Franchi Memorial Gala in front of 4,000 people in Stonington, CT. In April she made her Carnegie Hall debut where she was featured guest artist in an opera gala honoring the great Italian tenor Giuseppe Giacomini. She will appear in Italy next season in a similar gala led by M° Daniel Oren. Having begun her career as a spinto soprano, her voice transitioned to dramatic mezzo-soprano about four years ago, and she is now on her way to an important career as a true Verdian mezzo, also excelling in repertoire such as Dalila, Santuzza, and Lyubasha and in many of the important Russian mezzo roles as well as the works of Wagner (Erda, Fricka, and Waltraude).
Her early music education was in classical piano and singing, and she received her degree from St. Petersburg University. She holds a Bachelor’s Degree in Music and Vocal Performance. Her first teacher in the United States was Ellen Faull, former Professor of Voice at the Juilliard School. Subsequently she has worked with Martina Arroyo, Steve Crawford, Grace Bumbry, Sherrill Milnes, and Marcello Giordani and is working currently with William Schuman, Jonathan Kelly of the Met, Craig Ketter, and Richard Barker in Italy. She is a prizewinner of the 2011 Barry Alexander International Vocal Competition and semifinalist in the American Prize Vocal Competition. This past fall she was a finalist in the Altamura Caruso International Voice Competition in NYC.
Natasha has performed Amneris, Fricka and Carmen with New York Opera Forum, Azucena with One World Symphony in New York City and at St. Thomas Acquinas in Brooklyn; Santuzza with the New Jersey Association of Verismo Opera at the Players Club in New York. In 2015 she sang the Principessa (Suor Angelica) in the Tuscia Operafestival in Cordona, Italy. She also sang in a gala concert in New York City, “Opera Night,” where she performed arias and duets from Aida, Trovatore, and Carmen. Additionally in New York, Natasha has performed at Carnegie Hall, American National Opera Center, Liederkranz Foundation, and Merkin Concert Hall. In 2015 she made her European solo recital debut singing Rimsky-Korsakov, Tchaikovsky, Rachmaninoff, and Sviridov with pianist Sergey Neller, and in 2016 she sang a solo recital at the Russian Embassy in Berlin, performing arias from Samson et Dalila, Carmen, and Rachmaninoff’s Kashchie the Immortal plus additional songs by Rachmaninoff.
Last year Natasha performed Azucena in a concert performance of Il Trovatore at the Liederkranz Foundation and received a standing ovation. This performance followed her appearance with the Mercury Orchestra as soloist in Prokofiev’s Alexander Nevsky for mezzo, chorus, and orchestra. (“In the heart wrenching ‘The Field of the Dead’…her oboe-like voice reached out [to the audience].”) Last March she performed at Opera America’s Scorca Hall with soprano Olga Zhuravel Maselli in a concert entitled “Romance and Beauty of the Spring.” After the Giacomini Gala she was in Italy presenting master classes in Russian at the Accademia di Belle Arte di Firenze and has just returned from presenting a second round of classes there. Last summer, in addition to the Franchi Gala, she presented a song recital in NYC with soprano Zoya Gramagin and pianist/composer Natalia Medvedovskaya. Next season (2018-19) she performs her first Verdi Requiem with the National Chorale conducted by Dr. Everett McCorvey at David Geffen Hall, Lincoln Center. She is on hold for Santuzza for her debut at La Fenice (Venice) in a new production and is on hold for the same role with Opera Connecticut in the 2019-20 season. She also is on hold for Marina in a new Boris Godunov in Tokyo in 2020-21.